We recently covered the tragic murder of 19-year-old Italian waiter Joele Leotta who was beaten to death by Lithuanian Hip Hop migrants in Kent, England, simply for ‘complaining their rap music was too loud’.
One thing I notice when I am in London, is that whenever I see hip-hop gangster posturing, regardless of the colour of the men and women listening to the music, or sporting the styles-I feel very uneasy. This stems from the fact that I spent a good deal of my life in Newark, New Jersey, the hip-hop capital of the American northeast – a place not all that dissimilar to South Africa, where, black majority populations bully local citizens, as they posture about their respective townships and ‘hoods. This particular music, penned by savages without an ounce of musical or linguistic ability-one that glorifies violence, hatred towards women, killing of non-blacks and sadism, is one of the great menaces of our time.
In the US this sort of vile music was initially peddled towards non-white inner city children. Gradually, like most products, it was disseminated to a larger audience-in particular, young angry males of all colours ravaged by the impact of Cultural Marxism. Where there was anger and frustration stemming from the intentional breakdown of the American family, there was a market for rap music.
Over the past decade this same trend has taken root in South Africa, where rap and hip hop is now a multi-million dollar industry.
Wikipedia writes that “young South Africans took American hip hop and subculture, its anger, passion, and style in order to express themselves. They localized the music to express culture, frustration, and hope in order to tell their own stories. More like preach violence! The older population used that anger and passion to pass messages against the occurring apartheid, and also to connect with the youth. The music was perfect for the time because it was able to take the language of the underprivileged, parade it, and make it attractive to the point where people took pride in their “style” of music.”
And like its counterparts in the US, and quite surprisingly all across eastern Europe, it teaches tribalist pride to the people who have the least to be proud about, and preaches racial hatred and violence, to a demographic itching to hurt people.
So should there be any wonder that black townships, which once listened to traditional South African music and western pop music, prior to 1994, now ghetto blast hateful American hip hop music? Or that Warsaw ghettos are now a hotbed for black American ghetto music and culture? This should come as no surprise, as this music has historically found its way into the most barbaric and weakest people on earth.
One place rap was not very common was on the streets of my grandmother’s town in England, a sleepy little village some two hours northeast of London-until the Poles came to town that is.
Now when I walk down the streets of Fiskerton in Lincolnshire, where one in four men are now of Eastern European origin, I see gangs of Poles carrying themselves in a similar manner to the sort of black Americans one sees in US ghettos. Polish teens and twenty-something’s wandering the streets of Lincolnshire, sport oversized Hip Hop clothes, flat-top baseball caps, faux gold medallions & other gear one associates with US Hip Hop unter-culture. They speak in a black Slavic accent, as bizarre as that sounds and posture towards non-tribals as if they’re in Soweto, or in their case, Krakow. If you didn’t see it, you wouldn’t believe it.
Nothing is funnier than a fat Pole in a tracksuit shouting ‘Slavic pride’, wearing low riding baggy pants, and a flat top NY baseball cap turned sidewise in the blackest of manners. If they were not such a menace, I’d laugh a little more heartily. Even the Polish entry to this years Eurovision Song Contest, was a hop track featuring semi-nude women and a kielbasa eating (I am serious) gangsta deejay. Videos featuring traditional Polish looking peasants wearing gold chains and black cultural attire is all the rage in the lands east of the Oder. See this hilariously destructive video here.
South Africa has also seen the impact of this genre of music. Our South African correspondent tells us that most young black men in and around Johannesburg appear to have embraced black American culture as well.
“You can see it in the styles they wear, the manner in which they speak and embrace on another. As fearful as I was of them before, nothing concerns me more than a Zulu man gangsta posing, I can see the hate in his eyes and a lust for violence, we minority South Africans have become all too aware of.”
So why does rap music seem to crop up in the worlds lowest cultures? Lithuania & countries in Eastern Europe remained culturally stagnant during communism & adopted the very worst of modern American Zio-culture the moment they drunkenly stumbled beyond the Iron Curtain. When the curtain came down MacDonalds and the very worst of American consumerist culture moved in and has now taken total hold. Rap music is actually the most popular form of music for males under the age of 25 in the Baltic states, Poland and Romania. And one look at Lithuanians Aleksandras Zuravliovas, 26; Tomas Gelezinis, 31; Saulius Tamoliunas, 24; & 21-year-old Linas Zidonis, who were just last week convicted of murdering 19-year-old innocent Italian waiter, Joele Leotta, should tell you what type of filth we are dealing with. Potato vodka & pierogies may make for strange bed fellows, but the bastardisaton of these hideous cultures is as undeniable, as is the fact that we are losing Britain one day at a time to an invasion of more and more culturally incompatible people.
EKP’s Veronika Andrejeva, approached some Polish teens on the streets of Morecambe, a small town in Northern England, to try and find out why black American culture, is so appealing to them. She described the young men as “sporting ghetto attire, shaved heads, gangsta mannerisms.” That the men, who she was quite fearful of, looked more like peasants that had been raised in a Detroit trailer park, than in rural Poland..
Victor Kowalski, a 18 year old boy originally from Wroclaw, Poland opined,
“We like rap and nigga culture because it reflects us as Slavic youths and how we see the West and England. We here to get rich or die trying bitch and if bitches get in way of us we will kill them like American rap style!”
When Veronika asked him about the message the music gave, he called her a kurwa, pronounced curva – a derogatory word in Polish meaning “whore”.
Rappers like Eminemsky, 50 Złoty (think 50 Cent), Donatan Z, Słoń, Bandyta – meaning bandit/gangsta, Wyższa Szkoła Robienia Hałasu, Mordercy Kraków – meaning Krakow Murderers, and Miuosh are all the rage on the streets of Poland and this disturbing trend of violence permearting music is growing rapidly.
EKP Director, Giacomo Wolf, feels that “the rise of hip hop culture in Eastern Europe demonstrates “how devastatingly destructive American pop culture can be on inferior cultures corrupted by decades of communism.” Eastern Europe & black S. Africa are quick reminders of how destructive liberal American culture and hip hop can be. And this is not some EKP conspiracy theory. The University of Michigan Study on 21st Century Music and Politics claims that, “Polish hip-hop, with its origins and evolution, confirms the link between hip-hop and social exclusion.Its history coincides with the transition from socialism to democracy and the free-market economy.” They also draw the same parallels to the rise of rap music and American hip hop culture in South Africa-omiting the fact that its a pre-existing propensity towards violence these people already possess that draws them to American Rap music.
The same can be seen in Sweden’s Islamic Albanian and Somali populations and their hip hop identities. Zlatan Ibrahimovic is a prime example of this demographic.
While idiotic American Marxist academics blame poverty and social exclusion on the trend, we see degeneracy, the inherent danger of American pop culture, and the stupidity of segments of the Polish, South African, Somalian, and Balkan underclass as the culprit. Like in South Africa, degenerates from nations with little indigenous culture gravitate towards violent subcultures popularised in the US.
The thug mentality of the Polish and Baltic Youth that arrive on our shores daily, is markedly different than the mentality other immigrants from Western Europe, South Africa (whites & non-blacks), even non Islamic India & Asia, exhibit-foreigners that ACTUALLY contribute to our societies. Jeole Leotta, beaten to death for a thrill by Lithuanian thugs, came to civilised Britain for a bit of fun, to chase girls, work in a pizzeria and learn our language-hardly to get rich or die trying. Italians, like Brits & white South Africans, are generally a civilised genteel people, that value life. The Estonians, Lithuanians, Poles, Romanians, & Roma migrant types that I have met, are NOT. I am sick to death of hearing how because Lithuanians and Poles, Romanians etc are technically white, they therefore should be given a free pass into Britain. That because their nations have full membership in the EU, we need to open our doors to them. The sort of Estonians, Lithuanians, Poles, & Romanians, however, that arrive on Skilled visas, are quite different. They contribute to our societies and assimilate quickly. The underclass that arrive on our shores as migrants generally do NOT. That is why the EKP are working hard to see that culturally compatible people from South Africa are given a priority over EU migrants.
I know when I think about my culturally and linguistically compatible white and Indian South African friends, I think of their good nature, humour, mastery of our language, the long hours they put in at work and their indomitable spirit. When I think about my gut reaction to the image of a gang of Eastern European migrants puking on my sidewalk after a night out of drinking and fighting, I feel sick. In all honesty I am less scared of being beaten up by Pakistani Muslims than I am of the Eastern European hordes that now terrorise our streets. For the most part Pakistani males are pussies and scared of their own shadows. They are also all about 5′ 5 (1.67m)and 110 pounds (50kg), whereas Poles and Balts are all over 6 feet (1.8m) and well over 200 (100kg)pounds. Statistics are also quite clear-you are 34X more likely to be attacked by a black than a white or Hindu, 8X more likely to be assaulted by a Balkan or Baltic than you are a Hindu Indian, Oriental or White. The fact that half of them stink of cheap vodka might have something to do with their propensity towards violence, but I have my doubts that that’s an issue Britain can tackle.”
A great German Chancellor once said, “The fact that Talmudic Bolshevism received such a warm welcome from the people inhabiting the lands East of the Oder is a fair indication that they’re as alien to us as the Mongol hordes that first occupied the Slavonic lands…As regards the Pole, it’s lucky for us that he’s idle, stupid, aggressive without logic and vain.”
And my desire to keep these people out of Britain has nothing to do with hatred. I just value my family’s safety.
And who’s behind the music? Heeb magazine, a popular Jewish brag rag wrote in their March 2004 issue featuring the meteoric rise of hip hop that,
“About two years ago, Jon Wolfson, described neurotic Jew from Rockland County, New York entered Mule Creek State Prison in Ione, Calif., forty-five minutes outside Sacramento. It was Wolfson’s first time in any penitentiary, let alone a Level 4 maximum-security penitentiary. The 30-year-old publicist was there to pitch a client. Wolfson sat in a visiting room as the imposing figure of Suge Knight, the controversial CEO of Tha Row Records (formerly Death Row), came out to sit in front of him. “Basically,” Wolfson recalls, “I said that Tha Row hadn’t had anyone handling their PR in a long time, and that there was going to be a media frenzy upon Suge’s release. I threw some numbers at him, and we talked about working together.” Within the first few minutes of their meeting, Knight asked Wolfson about his background. “I told him I’m Jewish,” Wolfson says. “He chuckled and said, “Yeah, me too.” I joked, “Yeah, you look it.” He said, “Seriously, I have a lot of respect for Jews. They came to this country with nothing, they lived in their own communities and had their businesses and supported each other and built themselves up.” He wanted me to know he had respect.” Since then, whatever one thinks of Knight’s motives, he and Wolfson’s work together at Tha Row has been what Wolfson describes as “a roller coaster,” but they get along well, and have a productive, personable relationship.”
From that meeting, Dr Dre, Snoop Dogg, Eminem and the gangsta rap responsible for the death and destruction we are seeing across our lands was born. What is your thought on Gangsta Rap Culture’s Influence? Let us know.
Please subscribe above and be sure to click like on our EKP South Africa page-both at the top of this page. Thanks, GW