foreword by G WOlf
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Hollywood revisionists have the right to do as they please-that’s the nature of the free market, but to corrupt a classic American story for the sake of indoctrinating the masses?
That’s just plain wrong.
Still, I think a little history of the character and her origin, is in order.
Although Little Orphan Annie was created for the 1885 poem “Little Orphan Annie” by Anglo-Irish American James Whitcomb Riley, it only entered pop culture after Jewish American cartoonist, Harold Gray (nee Rosencrans), plagiarised the character for his commercial daily American comic strip; red hair, freckles and all.
Can you imagine a guy born Rosencrans guilty of stealing someone else’s work? (Note to self – Einstein stole his most well known theories from gentiles Olinto De Pretto-Italian, Satyendra Nath Bose-Indian, and Hendrik Lorentz – Dutch)
With that said, Annie’s legacy is still as American as apple pie, and SHOULD be left that way.
The EKP have nothing against American films having black characters when appropriate (portraying rappers, criminals, basketball players, workers, even soldiers etc) and as long as they aren’t overrepresented statistically-see video, but to turn a red headed freckled orphan, black? That’s almost as scandalous as every American TV scientist being portrayed by a person of African origin, when they should be white or Asian.
In fact – although Hollywood loves to twist old stories, there wasn’t a snowballs chance in hell that Annie would have been cast as Japanese or male.
That wouldn’t serve Hollywood’s agenda, would it.
Understanding why Hollywood cast a black actress to play the role is key to understanding Cultural Marxism.
And before you claim our aversion to recasting European characters with non-Europeans stems from racism – I didn’t like Christian Bale being cast as Moses, as the man would have looked a lot more like ME than British. Nor did I like Kevin Costner (a Yank) teamed up with Morgan Freeman (mulatto) in Robin Hood, or Maid Marian depicted by Mary Elizabeth Mastrantonio (Cuban). I’d also get pissed off if Maggie Thatcher was played by an Argentine, Hitler by a Pole, Putin by a Mexican or Bush by an Indian.
We aren’t turning this into a race issue – the Left have taken care of that by turning Annie into a black kid with a ghetto accent.
We are republishing the SCM story here for those of you that may have missed it on the Facebook page.
Annie Goes Ghetto
by Anthony M. – Smash Cultural Marxism Liverpool
This new version of the 1982 classic has been directed by Will Gluck (Jew) and produced by Jay-Z and Will Smith. It stars Quvenzhané Wallis in the title role and Jamie Foxx in the role of Will Stacks, an update of the character Daddy Warbucks.
The majority of sheep will not get it, they will say ‘what does it matter’ and that ‘it is racist’ to point out the blatantly obvious ie that what they are doing is replacing whites not just physically in terms of demographics, but in films like this that is renowned for the 1982 character played by a young red haired girl. It is the subliminal portrayal of what is happening in the real world to whites.
So for the empty heads who doubt it, let us take a look at one of the producers and one of the actors.
Jay-Z (what sort of ridiculous name is that) was spotted at an event recently wearing a medallion with the symbol of an extreme anti-white group known as ‘Five Percent Nation.’ One of the core tenants of the Five Percent Nation, an off-shoot of the Nation of Islam, is that white people are ‘wicked and inferior’ to black men. When asked by a reporter whether the medallion is meaningful to him, Jay-Z shrugged and said ‘A little bit’.
Now could you imagine a white actor being allowed to produce a major film in which he replaces the historical black character with a white character, after being spotted wearing a symbol of a group that hated blacks? No of course not it would never be allowed to happen. But a black actor? Thats fine in the sick anti-white world of Jewish Hollywood.
Again, the sheep with nothing between their ears still won’t get it at this point, even though it is staring them right in the face.
Jamie Foxx, the actor who laughed when saying that ‘he got to kill all the white people’ in one of his latest films ‘Django Unchained.’
Hosting the Jewish anti-white programme ‘Saturday Night Live’ he stated that
“I’m dressed in all black, cause it’s good to be black. Black is the new white!”
He then went on to say:
“I got a new movie coming out, Django, check it out. Django Unchained, I play a slave. How black is that? In the movie, I have to wear chains. How whack is that? But don’t be worried about it, because I get out [of] the chains, I save my wife, and I kill all the white people in the movie. How great is that? And how black is that?”
I shouldn’t have to really ask the question again because to those of you are awake to it all you know what is coming next.
Could you imagine a white actor hosting a major television programme in which he spoke of a film in which he killed blacks, and said ‘I kill all the black people in the movie how great is that?’ He would be arrested on stage and never seen again in another film. But a black actor saying it? Nobody bats an eyelid because they are so dumbed down that they cannot see what is happening.
I really don’t care anymore for the brain dead among our own people, they are lost causes. They will be queuing up to buy tickets for this garbage, they will buy their white kids the dvd, they will put money in the pockets of the anti-whites and never understand what is really behind this. An actor and producer with a track record for being anti-whites now reproducing a film and replacing the white character?
Nothing to see here, move along.
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